University of Cincinnati CCM transitions to LED with ETC
      
      
    
    
    
    Date Posted: 7/9/2018
    

The  University of Cincinnati College-Conservatory of Music (CCM) has a twofold  mission to educate the next generation of professionals in the arts as well as  produce stunning performances. When CCM recently upgraded its performance  spaces, the college turned to ETC for lighting solutions.
With  multiple venues hosting a combined 1,000 events each year, CCM is the largest  source of performing arts presentations in the state of Ohio. Nearly 20 years  after the venues’ last major renovation, CCM staff determined that the  buildings needed infrastructure and audience comfort updates.
Adam  Zeek, Resident Master Electrician of CCM, says, “Because we are an educational  institution, any major update requires a wider range of flexibility and  options. We need the right tools for events ranging from operas to dance  performances, while also prioritizing educational value for students.”
The  project, in part, was driven by a desire to replace all the house lighting with  new LED fixtures. This transition led to additional changes in infrastructure  and data management. Initially, CCM was only planning on updating two spaces,  but then decided to modernize all the venues at once. 
“This  was a very thorough renovation,” says Micah Rahn of Stages Consultants, who  oversaw the project. “In total, we worked in four venues. Updates included new  house lighting, seating, a fully motorized rigging system and an entirely new  performance lighting system in Corbett Auditorium.”

In  addition to updating the house lights, CCM replaced the orchestral shell  lighting in its largest concert hall (Corbett Auditorium) with ETC’s GDS      
    ArcSystem Pro Four-Cell  Linear fixtures.  Using the same lighting across the house and the stage created a consistent  transition between the two spaces.
When  selecting the new LED fixtures, the team brought in multiple fixture types to  test out. The entire light faculty came in to evaluate the lighting, and even  had musicians sit under the lights to see how they would react to different  sources.
Rahn  says, “When previewing the fixtures, we were paying close attention to color  rendering, dimming curve and performance, as well as color temperature.”
To  achieve the warm tone CCM was hoping to maintain in its house lights, GDS by  ETC quickly outshined the other fixtures. Zeek says, “The ArcSystem fixtures by  far had the best quality of light and dimming curve of the fixtures we tested.  It was an easy decision.”
The  team selected the 3000 K option of fixtures for a crisp, white light across the  house and stage. Now, every house fixture is a GDS by ETC solution.      
    Pro Four-Cell Pendants provide the house  lighting and      
    Pro One-Cell fixtures are used under the  balcony. With the new ArcSystem fixtures in place, Corbett Auditorium now has  wall-to-wall light.
To  modernize venue infrastructure along with the lighting fixtures, CCM completely  reconfigured all of the electrical dimming, control, and output. Rahn says, “We  upgraded all of CCM’s existing CEM 96 Sensor racks to CEM3, and updated their  legacy Unison process to Paradigm with new touch screens and button stations.”

Along  with the ArcSystem fixtures and      
    Paradigm control, CCM also  installed      
    Irideon FPZ architectural framing  projectors for overhead aisle lighting in Patricia Corbett Theatre.  Additionally, Corbett Auditorium’s backstage is now lit by GDS      
    BluesSystem from ETC. The running  lights illuminate backstage areas with a discrete blue light. 
Now  that the renovation is complete, Zeek says that CCM’s staff has taken notice to  the improvements in lighting. He says, “With the new LEDs, one of the major  benefits is that we no longer need to have a weekly maintenance call to change  the lamps. This saves us time and money.”
CCM’s  new house lights are now much brighter than they used to be. Zeek notes, “The  brightness is great for cleaning, and we can always dim them down when we don’t  need that level of light. Even those who work in production, such as the  painters, are happy with how the lights look.”
One  of the stages still uses incandescent lighting, and Zeek says, “Everybody who  works within the performance spaces has noticed the drop in heat output when  working near the LEDs in comparison to incandescent fixtures.”
With  the new equipment installed, all of CCM’s venues opened again at the beginning  of 2018. While the quality of products have improved the day-to-day operation  of the facilities, Zeek notes that the success of the project came down to more  than just state-of-the-art gear. 
“For  us, the level of service ETC provided was a major deciding factor,” says Zeek.  “The support from ETC and Stages Consultants brought together a system that is  highly functional in our venues, and will last for years to come.”
GDS  by ETC products are only available in North American and Latin American  markets. For information about GDS products in other regions, please  visit www.gds.uk.com
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