ETC lights Les Miserables
When acclaimed theatrical lighting designer Ken Billington brought his magic to the new touring production of the Tony Award-winning musical Les Misérables this summer, he relied on ETC’s Eos and Ion consoles for full-rig lighting control.
The National Theatre has Eos-family values
When ETC debuted the Eos Titanium (Ti) desk – with even more powerful hardware and software than its predecessor – there was no question that the National would upgrade.
ETC Congo jr completes Damien Rice tour
Lighting designer Emma Westerberg has just finished off her year-long worldwide tour with Damien Rice and her ETC Congo jr, saying she remains delighted with the lighting control console.
CBN TV studios upgrade to ETC Selador LED lighting
One of the longest-running programs in broadcast history, CBN’s The 700 Club, had been using an analog lighting system for much of its run -- the last 30 of 45 on-air years. The show, which is accessible to 1.5 billion people around the world and airs weekdays, was due for a technical overhaul – from lighting fixtures to control.
ETC lights South African tour of Rent
ETC, through dealer Prosound, has supplied equipment for the South African production of Rent, which opened at the Alexander Theatre in Johannesburg, South Africa, in July, and has now gone on tour across the country.
National WWII Museum, New Orleans, LA
The National World War II Museum’s new 70,000-square-foot $60-million complex, comprised of The Solomon Victory Theater, Stage Door Canteen, and The American Sector restaurant opened November 6, 2009, part of the Museum’s $300-million expansion.
ETC gives healthy dose of lighting to Dole TV
In 2006, the Dole Foods Corporation decided to extend its message of healthy living by opening the Westlake Village Studios, a 40,000-square-foot TV broadcast facility that is part of the Four Seasons Westlake Village Hotel in California.
Revelations, Alvin Ailey American Dance Theater
When the Alvin Ailey American Dance Theater was preparing for its latest world tour, lighting director Al Crawford wanted to get the best and most advanced lighting control system on the market. So he chose the award-winning ETC Eos to replace the dance company’s older Obsession® II console, also from ETC.