-
Programmer: Mike Nicolai Venue: Oconomowoc Arts Center, Oconomowoc, WI, USA Devices/Equipment: Control Full-Size Congo Congo Jr. w/ Playback Wing Dimmers (288) dimmers for conventional lighting Fixtures (~160) Assorted ETC Source Four fixtures Notes about layout: This is the layout I keep in the repertory...
-
Just like people new to drafting like to look at professional light plots to get a glimpse into how the pro's do it and look for little tips and tricks in other people's drawings, I thought it'd be cool if people shared some screenshots of their Channel Layouts. Maybe we can all learn a little...
-
-
-
-
-
Effect Playbacks behave just as Channels do; they are HTP 1 for intensity and LTP 2 for non-intensity attributes. They are much like Channels that have a device patched to them. From moment to moment, the highest intensity level an effect is being told to play at, it will play at. However, the attributes...
-
A Color palette is a specific reference point for the color parameters of a device. W hen presets are recorded with devices using Color palettes, they do not record the absolute Color parameters of the devices; they reference those parameters from the however they've been recorded into the palette...
-
A Focus palette is a reference to a specific area on stage. When presets are recorded with moving lights using Focus palettes, they do not record the absolute positions of the fixtures; they reference the Pan and Tilt parameters of a Focus palette. If that palette then is updated to reflect a different...
-
Masking a Palette is very handy when you want some of the parameters in the Palette type to be “transparent” – for example: if you store a beam palette and mask out Iris you can recall this palette without affecting the Iris parameter – even if it normally is part of a beam palette...