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What are the chances that ETC will release a 21" fixture with a Fire fixture in one cell and an Ice fixture in the other? Would there be any benefit to this configuration over just a 21" Vivid-R fixture? I've noticed theaters use a warm-gelled PAR and a cool-gelled PAR in pairs for top...
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While we are on the subject of lenses, I have a suggestion for ETC. I have a combination of Fire and Ice fixtures. Because I do not have the clearance over the Cyc that is suggested in the testing above, I cannot aim from above to get a vertical strip of light. Causing the vertical physically makes it...
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I was wondering if anyone has explored the idea of a "fixture" library that is a Fire&Ice unit combined into one channel. Letting the console make the best color using all of the led's across both units? Or should I just look at a Vivid-R instead?
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Hello. We're contemplating switching from fresnel/scroller combos for our stage color wash, to the fire&ice units. When looking at the distribution numbers listed in the "Application Guide: Designing Color Stage Washes" (ie. "potent performance) you suggest a unit spacing of 2...
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I was just curious if symbols for vectorworks existed out there for the selador line. Field templates has a selador pack but its not the etc line (i.e. fire/ice and 11").