August 2009 - Posts

Congo v6 Software now available!

A new software version – v6 – for Congo® and Congo jr consoles is now available! The v6 software contains a host of new features and changes to the internal structure of Congo, making it even more flexible for both traditional theatre-style and on-the-fly applications.

New Image Effects

ETC has added another powerful effect type to Congo: Image Effects. Image Effects use the Effect Playback concept from Congo v5 software to associate a layout of channels (which creates a graphical or positional relationship among included channels) with a source image or text. Parameters of the Effect Playback include positioning of the image on the layout, scale and aspect of that image/text, rotation, and effects like constant rotation, scaling or scrolling. Multiple effect playbacks allow for layered image effects.

Jam Mode

ETC has done a lot of work on Jam mode, making it easier for users to determine what data gets generated and where that data ends up in a play file. Users can also regenerate data quickly using the new Jam Mode Wizard. For those who like to experiment, we’ve added in Two Scene Masters where users can create a look “blind” using the top row of masters, then fade into that look in time using the Master Controls. The scene created on the top row of masters becomes “live” on the bottom row of masters, where additional adjustments can be made on the fly. This powerful feature of Congo v6 makes busking a breeze.

Masters
ETC has increased the number of Master Playbacks to 80 and made a lot of changes to the Masters, allowing once-global settings to be applied per master – including rubberbanding and exclude-from-record. And, there are new settings, such as the ability to choose what look a rubberbanding master returns to – this can be the previous state, or back to the main playback, or to a designated preset. Also improved is the Masters display and dock, allowing users to see a lot more information about the masters, including more steps of a sequence on a master.

Learn Profile

ETC has improved playback by incorporating the ability to learn a fade profile for crossfades in the Main Playback. Simply enable “Learn Profile” on a soft key and then move the faders in the manner you want the crossfade to happen. Also new is an indication of the current playback location (what’s in A and B) within the Sequence List editor.

Channel Views

The channel views have changed, giving users more options for the amount of information that is displayed within a channel box. There is also a new set of symbols in the Channel Layouts supporting more TV/film fixtures and adding special-purpose symbols as well. Now users can even draw circles!

Blind Editing
ETC also changed the way that blind editing is done, allowing for live moving-light controls to be used within blind views. This means that instead of using spreadsheet-style editing, users can view blind data and move encoders, use direct selects and other keyboard commands to select channels and enter data directly, as in Live.

New Docks

A number of new docks have been added, including the Designer Summary dock that collects important data about the main playback and/or selected channels and puts it in one compact location on-screen. A Timecode dock displaying a large clock for internal or external time code has been included. It enhances Congo’s functionality with support of the Net3™ Show Control Gateway for interaction with MIDI and SMPTE on the network, as well as adding an internal backup clock within Congo itself. There is also a new Selected – Live dock that shows the channels and effect playbacks users select in the Live tab.


Structural Changes
Congo has undergone some major structural changes including more Preset numbers – from 0.001 to 9999.999 – making it easier to organize shows that use multiple sequences. Also, finer timing resolution under ten seconds is now possible – 0.01 to 9.99 seconds. Lastly, 16-Bit intensity is now supported, providing improved control of automated fixtures and accessories that utilize high-resolution motor control and improved mastering of LED fixtures that use 16-bit color parameters.


View the Congo v6 movie at www.etcconnect.com/Congov6 .

Congo v6 software is available as a free download at www.etcconnect.com .

Posted by sclausen | with no comments
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Wiki breakthrough…what we wanted in 1995

During my entire stint at ETC my good friend David North and I have always done a good bit of complaining about how we record and store information about our products. At first it was more about how to get info out of his BIG, semi-photographic, Electrical Engineer brain and into my tiny, dyslexic, barely graduated from high school, BFA in Production brain but then it was about how to record information for new ETC Service employees who were being hired at an alarming rate throughout the late 1990’s. What is an SD dimmer? How do I do an I3M upgrade and what is an I3M? DAS…I don’t know anything about DAS…what do you mean you cannot field program the system. I bought a Q119 from you guys and put it into my Colortran D192 rack but only 1 of the 2 dimmers is working…Um….. and the racks are pre-production Beta. Okay this last one was me calling David North in 1992 while I was at NSCA and he was the repair tech at Stageworks Lighting in Raleigh, NC but the fact remained that it was very difficult for someone who never even worked with an LMI dimming rack to provide ‘expert’ support to ETC customers calling for help.  

The first way that the ETC Service Department dealt with ‘knowledge issue’ was to build massive product binders for each phone support tech. When someone new started they were given about 10 3-ring binders with manuals and drawings. Slowly each individual would add things to their binders so that they could reference them when needed. Of course this did not help with the sharing of information between service employees. It did not do anyone else good that I had an excellent mark-up sheet of the I3M upgrade process in my binder…at my desk…which got moved every 3 months or so.

The next step was to invest in ‘Knowledge Base’ software program. Tony Romain and David North settled on a nice product and now everyone in the department was being told to start putting info into the database. This would be great. Not only could we share info internally, but we could publish info for our Service Providers and End-Users. Well…it was great…kind of. In the beginning we found the most challenging thing was to edit the info for accuracy and ensure that ‘internal use info’ was kept separate from ‘public use info’. This task fell to me for many years and was quite time consuming. In the end we did manage to get a version onto the Service Technician Pages of etcconnect.com….the 2nd generation of which is still in use today and is now also available to all users of the site.

Mike does Wiki….The whole reason I decided to spend my working time today writing about all of this is because I spent my working time yesterday playing with the ETC Wiki Page (I’m sure to get mail form Fred Foster, Dick Titus or the always lovely Sarah Danke about why I’m not spending more time working during my working time). But let me tell them why, THE ETC WIKI IS THE GREATEST THING to hit the Technical Service Department since the I3M pin extraction tool. I know that a number of people have had a hand in making this happen but the largest leap has come over this summer as Technical Service employee a summer intern to do nothing else but add Wiki pages based on our knowledgebase and other miscellaneous technical information that was floating around the company. I was so inspired that I had to spend the better part of a day play with the Wiki and trying to learn how to add stuff by myself…a little bit of success but I will need some tutoring during my next trip to Middleton.

So…Check it out:

http://www.etcconnect.com/Community/wikis/products/etc-product-wiki-table-of-contents.aspx   

And add your own stuff as well….

Have a good show!

Mike

Posted by mmeskill | 1 comment(s)

NY Times covers impact of state finances on college arts programs

Arts Programs in Academia Forced to Nip Here, Adjust There - New York Times, August 9, 2009

"There are no nationwide statistics to reveal whether one discipline is suffering more cuts than others. But administrators at more than a dozen state and private campuses who were interviewed say that the way that arts programs are structured and operated may amplify the effect of reductions."

 

Posted by john.kuehl | with no comments