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The Opera risk

Terry Teachout wrote a piece in the Wall Street Journal about the New York City Opera taking the big risk - a year off with practically no performances while their home - the State Theatre is renovated. Not only are they taking this year off - but the schedule in 2009 will include six 20th century operas! The season includes Einstein on the Beach! I haven't seen a live performance but have watched a film study of the opera which was extraordinary.

It made me think about the changes taking place in the Opera-going public. I have never enjoyed Opera even though I have seen a few. I wonder how the art form will hold up as the boomers retire and a new audience moves in? I guess I am relating this to my post on the changes in the High School musical choices these days. It occurred to me that these types of changes will be occurring throughout the entire spectrum of the arts. I guess we are seeing the very traditional forms begin to alter themselves just as we see music and film move - although the latter moves much more quickly.

We've seen a shift in the local Madison community with some theatre groups struggling to stay afloat. Some say it is the expense of operating in the new arts center here in Madison - or competition with broadway tours coming into the same facility. Some might argue that the play choices and production quality have not been up to par. I wonder what the real deal is?

I'm curious if you all in the biz - still producing shows - have begun to study this change in audience makeup and preferences? WHat will your theatres do about this? As one who relishes good market research - I'd love to hear your thoughts.

David

Published Friday, June 13, 2008 8:20 AM by dlincecum

Comments

# re: The Opera risk

As an occasional opera-goer I think the situation is actually rather positive. The last opera I went to - at the Royal Opera House in London - was close to capacity, and significantly there was a wide spread in the age of the audience - and this is despite the London prices of the tickets.

The fact that NY City Opera are willing to close for a year to renovate, and reopen with a possibly risky season, tells me that they are pretty confident that the audience is there! I think the same is true for more local theatre as well - the art form will certainly adapt, but the new will remain blended with the best of the old.

Tuesday, June 17, 2008 4:57 PM by tomsteer
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